But most of all, it was based on devotion to one another: The rush of Post-Nothing and Celebration Rock tapped into the quintessentially young feeling of your group of friends - maybe just one friend in particular - being your entire world, of everything being “We” by default, of any other way of life being virtually unimaginable. The worldview of Japandroids before Wild Heart was based on obvious and agreeable central tenets: going out, drinking, smoking, yelling. The album was a triumph, more fearful and more resolute than ever, shot through with a now-or-never urgency that made for emotional and instrumental catharsis more explosive than the firework sounds that opened and closed the LP. And the stakes doubled for 2012’s highly acclaimed Celebration Rock, recorded in the duo’s late 20s after ulcer scares nearly robbed King of a lot more than his innocence. The true thrill came from how Japandroids acknowledged the sun setting on their youth, but still raged against the light’s dying like true believers in rock’s power to grant immortality. Even then, the weariness was setting in: “We used to dream/ Now we worry about dying,” went the chorus to breakout crit-hit “Young Hearts Spark Fire.” They were never that young, at least as we knew ’em - by 2009 debut album Post Nothing, Brian King and David Prowse were already about a half-decade out of college, though they still thrashed and threw down like a couple of undergrads. 27), have been one of the world’s most exciting rock bands for nearly a decade now, largely because their music has always teetered on the precipice of this moment. Vancouver power duo Japandroids, who release their long-awaited third album Near to the Wild Heart of Life today (Jan.
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